This painting shows its compositional elements concentrated in one part of the picture, paying homage to the Song dynasty styles known as “One-corner Ma” and “Half-side Hsia”. A contrasting view is created with a building on the lower left corner and trees on the upper right corner, suggesting interactions between celestial divinity and a mortal Taoist master. The figures depicted are refined and lively, with exquisite brushstrokes applied on their garments and the dynamically arranged objects. The Taoist master is seen holding a sword in hand and chanting a spell to usher in a deity. The Taoist master and the scholar are seen looking towards the sky, with the celestial being seen in the clouds and holding a dharma instrument. The painting shows a vivid scene that juxtaposes Taoist and mystic elements.
简中|拜请九天
Paintings
Xia Jing Shan
ink and color on silk
47.5x32
1991
題跋:楠竹居士寫
印記:夏氏(朱文)、楠竹居士(朱文)
NB-00011